Art by Frank R. Paul
Art by Frank R. Paul

Lost Worlds of the Pulps

The lost worlds of the Pulps began almost immediately after a certain book. The Lost World (1912) by Arthur Conan Doyle, oddly, signaled the end of an era. The wave of adventuring in distant, lost lands that began with H. Rider Haggard’s King Solomon’s Mines (1885) ended with Arthur Conan Doyle’s tale of Professor George Challenger only a quarter century later. Did people stop writing lost world novels? Far from it! But the days of Victorian novelists providing those tales was done. The American Pulp magazine was now the domain of the land steeped in mist and mystery.

Art by Maple White
Art by Maple White

The Pulps had a thousand flavors to satisfy all tastes. There were Westerns, detective, love, horror, sports and many other types of Pulps. But two, in particular, were the province of the lost world: Adventure and Science Fiction Pulps. It is the last that we are going to look at here. Why not both? It is the difference between the slightly unplausible and the outright fantastic.

Magazines like Adventure, Action Stories and general fiction Pulps like Short Stories and Top-Notch gave us Marching Sands by Harold Lamb, The Pathless Trail by Arthur O. Friel, Om: The Secret of Abhor Valley by Talbot Mundy and No-Man’s Land by John Buchan, all masterpieces of the adventure genre. While great fun, they don’t have the same imaginative power of even the weakest of Edgar Rice Burroughs’ work (something like The Land of the Hidden Men or The Cave Girl.) For sheer spectacle and wonder, you have to look to the fantastic Pulps.

Or as in the case of ERB, All-Story and Argosy, the Munsey soft weeklies that had its share of Westerns, spy novels, romances and tales of ordinary life, but also published the first masters of Pulp lost worlds: Edgar Rice Burroughs (and later his clones), A. Merritt and Francis Stevens.

Robert Ames Bennet

Bennet is a bit of an anomaly, pre-dating Burroughs. He started as a Victorian novelist and then became a magazine writer.

Art by E. L. Blumenschein
Art by E. L. Blumenschein

Thyra: A Romance of the Polar Pit (1901)

Art by David Ireland
Art by David Ireland

The Bowl of Baal (The All-Around Magazine, November 1916-February 1917)

 

Edgar Rice Burroughs

Right on the heels of Arthur Conan Doyle, Edgar Rice Burroughs was the man to take cavemen and dinosaurs to the next level. He did this with his Tarzan and then Pellucidar, the world inside the Earth and the lost island of Caspak where evolution plays out in a life time.

Art by N. C. Wyeth
Art by N. C. Wyeth

The Return of Tarzan (The New Magazine, June-December 1913)

Art by Clinton Pettee
Art by Clinton Pettee

“The Cave Girl” (All-Story, July-September 1913)

Art by Modest Stein
Art by Modest Stein

At the Earth’s Core  (All-Story, April 4-25, 1914)

Art by J. Allen St. John
Art by J. Allen St. John

The Mucker (All-Story Cavalier, October 24-November 14, 1914)

Art by Modest Stein
Art by Modest Stein

Pellucidar (All-Story Cavalier, May 1-29, 1915)

Art by P. J. Monaghan
Art by P. J. Monaghan

Tarzan and the Jewels of Opar (All-Story, November 18-December 16, 1916)

Art by F. W. Small
Art by F. W. Small

“The Cave Man” (All-Story, March 31-April 21, 1917)

Art by Frank R. Paul
Art by Frank R. Paul

The Land That Time Forgot (Blue Book, August-December 1918) Hugo Gernsback reprinted these short novels in Amazing Stories.

Art by P. J. Monaghan
Art by P. J. Monaghan

Tarzan the Terrible (Argosy All-Story, February 12-March 26, 1921)

Art by J. Allen St. John
Art by J. Allen St. John

Tarzan and the Golden Lion (Argosy All-Story, December 9, 1922-January 20, 1923)

Art by Stockton Mulford
Art by Stockton Mulford

Tarzan and the Ant Men (Argosy All-Story, February 2-March 15, 1924)

Art by Frank Hoban
Art by Frank Hoban

Tarzan, Lord of the Jungle (Blue Book, December 1927- May 1928)

Art by Frank Hoban
Art by Frank Hoban

Tarzan and the Lost Empire (Argosy All-Story, October 1928- February 1929)

Art by Frank Hoban
Art by Frank Hoban

Tanar of Pellucidar (Blue Book, March -August 1929)

Art by Frank Hoban
Art by Frank Hoban

Tarzan at the Earth’s Core (Blue Book, September 1929-March 1930)

Art by Frank Hoban
Art by Frank Hoban

The Land of the Hidden Men (aka Jungle Girl) (Blue Book, May-September, 1931)

Art by Paul Stahr
Art by Paul Stahr

Tarzan and the City of Gold (Argosy, March 12-April 16, 1932)

Art by J. Allen St. John
Art by J. Allen St. John

Tarzan and the Lion Man (Liberty, November 11, 1933-January 6, 1934)

Art by Emmett Watson
Art by Emmett Watson

Back to the Stone Age (aka Seven Worlds to Conquer)(Argosy, January 7-February 13, 1937)

Art by Rudolph Belarski
Art by Rudolph Belarski

Tarzan and the Forbidden City (aka The Red Star of Tarzan) (Argosy, March 19-April 23, 1938)

Art by Frank Frazetta
Art by Frank Frazetta

“Tarzan and the Castaways” (Argosy, August 23, 1941)

Art by J. Allen St. John
Art by J. Allen St. John

“Return to Pellucidar” (Amazing Stories, February 1942)

Art by J. Allen St. John
Art by J. Allen St. John

“Tiger Girl” (Amazing Stories, March 1942)

Art by J. Allen St. John
Art by J. Allen St. John

“Men of the Stone Age” (Amazing Stories, April 1942)

Art by John Coleman Burroughs
Art by John Coleman Burroughs

Land of Terror (1944)

Art by Larry Ivie
Art by Larry Ivie

“Savage Pellucidar” (Amazing Stories, November 1963)

 

Charles B. Stilson

Stilson was hired to replace Burroughs. Through mismanagement, Munsey lost its exclusive on ERB stories and had to put up with Burroughs auctioning off manuscripts. Munsey decided to write some new adventures in the Burroughs style. Stilson went on to write many less fantastic adventures later.

Polaris of the Snows (All-Story, December 18, 1915-January 1, 1916)

Minos of Sardanes (All-Story, August 12-26, 1916)

Polaris and the Immortals (All-Story, September 15-October 13, 1917)

 

A. Merritt

A. Merritt was the most famous fantasy writer of the first part of the 20th Century. Famous enough to get his own Pulp magazine, A. Merritt’s Fantasy Magazine. He was not a full-time writer, but still managed to produce a number of classics. Often when Pulp fiction has a lost world story it is called “Merritt-esque”.

Artist Unknown
Artist Unknown

“The Moon Pool” (All-Story Weekly, June 22, 1918)

Art by Lawrence
Art by Lawrence

“Conquest of the Moon Pool” (All-Story Weekly, February 15-March 22, 1919)

Art by Glen White
Art by Glen White

 

The Metal Monster (Argosy All-Story, August 7-September 25, 1920)

Art by Virgil Finlay
Art by Virgil Finlay

The Face in the Abyss (Argosy All-Story, September 8, 1923)

Art by Virgil Finlay
Art by Virgil Finlay

“The Snake Mother” (Argosy, October 25-December 6, 1930)

Art by Robert A. Graef
Art by Robert A. Graef

Dwellers in the Mirage (Argosy, January 23-February 27, 1932)

 

Francis Stevens

Stevens was really Gertrude Barrows Bennett, the first major female writer of Lost Worlds and Science Fiction. She was so good people thought she was A. Merritt’s pen name. Sadly, after a few years, she gave up writing for other work.

Artist Unknown
Artist Unknown

“The Nightmare” (All-Story, April 14, 1917)

Art by Lawrence
Art by Lawrence

“Friend Island” (All-Story Weekly, September 7, 1918)

Art by Virgil Finlay
Art by Virgil Finlay

Citadel of Fear (Argosy, September 14-October 26, 1918)

 

Victor Rousseau

Rousseau was a writer of Northerns and Science Fiction.

Artist Unknown
Artist Unknown

Eric of the Strong Heart (Railroad Man’s Magazine, November 16, 1918-January 15, 1919)

Art by P. J. Monaghan
Art by P. J. Monaghan

My Lady of the Nile ( Argosy All-Story, March 7-28 1921)

Art by P. J. Monaghan
Art by P. J. Monaghan

The Eye of Balamok (Fantastic Novels, May 1949)

 

Otis Adelbert Kline

Another Burroughs clone, Kline had his own Tarzan in Jan of the Jungle, his own interplanetary series set on Venus. He also wrote some Western-flavored lost race pieces abut a character named Bart Leslie.

Art by Hugh Rankin
Art by Hugh Rankin

“The Demons of Tlaxpam” (Weird Tales, January 1929)

Art by Bob Dean
Art by Bob Dean

“The Secret Kingdom” (Amazing Stories, October November December 1929)

Art by Harold S. De Lay
Art by Harold S. DeLay

“The Cyclops of Xoatl” (with E. Hoffman Price) (Weird Tales, December 1936)

 

A. Hyatt Verrill

Verrill was a Science Fiction author who knew the wilderness and wrote comfortably about secret places in the corners of the earth.

The Golden City: A tale of Adventure in Unknown Guiana (1916)

The Trail of the White Indians (1920)

Art by Edd Cartier
Art by Edd Cartier

The Bridge of Light (Amazing Stories Quarterly, Fall 1929) by A. Hyatt Verrill. The book received a nicely illustrated book version in 1950.

Art by Frank R. Paul
Art by Frank R. Paul

The King of the Monkey Men (Amazing Stories Quarterly, Spring 1928)

Art by Leo Morey
Art by Leo Morey

The Treasure of the Golden God (Amazing Stories, JanuaryFebruary 1933)

Art by Leo Morey
Art by Leo Morey

Through the Andes (Amazing Stories, September October November 1934)

Art by Leo Morey
Art by Leo Morey

The Inner World (Amazing Stories, June July August October 1935)

 

S. P. Meek

Meek was a retired military man who wrote SF and the popular Dr. Bird series for awhile before taking up dog books for children..

Art by Frank R. Paul
Art by Frank R. Paul

“The Drums of Tapajos” (Amazing Stories, November December 1930 January 1931)

Art by Leo Morey
Art by Leo Morey

“Troyana” (Amazing Stories, February March April 1932)

 

William L. Chester

Another Burroughs clone, Chester wrote of Kioga who lives in a Hyperborean realm in the Arctic. The first novel was filmed as a serial with Herman Brix.

Art by Herbert Morton Stoops
Art by Herbert Morton Stoops

Hawk of the Wilderness (Blue Book, April-October 1935)

Art by Herbert Morton Stoops
Art by Herbert Morton Stoops

One Against the Wilderness (Blue Book, March-August 1937)

Art by Jeremy Cannon
Art by Jeremy Cannon

Kioga of the Wilderness (1976)

Art by Richard Hescox
Art by Richard Hescox

Kioga of the Unknown Land (1978)

 

Charles W. Diffen

Diffen was one of the few writers to make the transition from the Clayton Astounding to the Tremaine Astounding. His lost races won’t be purchased by the Campbell Astounding.

Art by H. W. Wesso
Art by H. W. Wesso

“Two Thousand Miles Below” (Astounding Stories of Super-Science, June  September 1932)

Art by Amos Sewell
Art by Amos Sewell

“Land of the Lost” (Astounding Stories, December 1933January 1934)

From the Frank Capra movie

One novel I should mention because it breaks all the rules is James Hilton’s Lost Horizon (1933). (In Hollywood, it was King Kong, also 1933.)  If you had told someone in 1932 that a lost race novel would become the darling of 1934 I think you would have been laughed at. The whole idea had become a Pulp cliche, long-echoing the masterpieces of H. Rider Haggard and the 1880s. Despite that, Lost Horizons is more often seen as a literary work, not a Pulp story. It gave us the expression “Shangri-La”, meaning a hidden paradise or utopia. It is one of the most popular novels of the 20th century. Go figure.

It also explains the resurgence of lost world fiction in SF Pulps after 1934.

 

Kenneth Robeson (Lester Dent et al.)

The adventurer Doc Savage was a monthly hero Pulp character who often went to lost lands and forgotten places. I won’t list every Doc saga that featured such. Instead here are my favorites:

Art by Walter M. Baumhofer
Art by Walter M. Baumhofer

The Man of Bronze (March 1933) by Lester Dent

Art by Walter M. Baumhofer
Art by Walter M. Baumhofer

The Land of Terror (April 1933) by Lester Dent

Art by Walter M. Baumhofer
Art by Walter M. Baumhofer

Land of Always-Night (March 1935) by W. Ryerson Johnson & Lester Dent

Art by Walter M. Baumhofer
Art by Walter M. Baumhofer

Quest of Qui (July 1935) by Lester Dent

Art by John Philip Falter
Art by John Philip Falter

The South Pole Terror (Oct 1936) by Lester Dent

Art by Robert George Harris
Art by Robert George Harris

Ost (aka The Magic Island)(August 1937) by Lester Dent

Art by Robert George Harris
Art by Robert George Harris

The Golden Peril (December 1937) by Harold A. Davis & Lester Dent

Art by Emery Clarke
Art by Emery Clarke

The Red Terrors (September 1938) by Harold A. Davis

Of course, other hero Pulps may have gone to far off places but most of them liked to stay on the mean streets of the city.

 

Edmond Hamilton

Edmond Hamilton was a professional Science Fiction writer, back when that was a crazy thing to be. As such he wrote all kinds of SF including these stories with a strong lost race element. Many of his stories have lost cities in them.

Art by Virgil Finlay
Art by Virgil Finlay

“The Lake of Life” (Weird Tales, September October November 1937)

Art by Virgil Finlay
Art by Virgil Finlay

“The Fire Princess” (Weird Tales, August September October 1938)

Art by Robert Fuqua
Art by Robert Fuqua

“The Valley of the Invisible Men” (Amazing Stories, March 1939)

Art by Robert Gibson Jones
Art by Robert Gibson Jones

“Daughter of Thor” (Fantastic Adventures, August 1942)

Artist Unknown
Artist Unknown

“Lost City of Burma” (Fantastic Adventures, December 1942)

Art by Boris Dolgov
Art by Boris Dolgov

“Valley of the Gods” (Weird Tales, May 1946)

Art by Virgil Finlay
Art by Virgil Finlay

The Valley of Creation (Startling Stories, July 1948) (with Leigh Brackett)

 

Jack Williamson

Jack Williamson started out as an acolyte of  A. Merritt. The two were even going to write something together though nothing came of it. Williamson wrote the Merrittesque novel, Golden Blood for Weird Tales. A professional like his friend, Edmond Hamilton, he went onto write many different kinds of Science Fiction.

Art by J. Allen St. John
Art by J. Allen St. John

Golden Blood (Weird Tales, April May June July August September 1933)

Art by Frank R. Paul
Art by Frank R. Paul

“Xandulu” (Wonder Stories, March April May 1934)

 

Robert Moore Williams

Ray A. Palmer wanted more Edgar Rice Burroughs. He published ERB stories (which formed the later books) but Burroughs would leave writing when the war came. Palmer hired Robert Moore Williams to fill the gap. The novels were illustrated by J. Allen St. John, the artist most associated with Burroughs.

Art by J. Allen St. John
Art by J. Allen St. John

Jongor of Lost Land (Fantastic Adventures, October 1940)

Art by J. Allen St. John
Art by J. Allen St. John

The Return of Jongor (Fantastic Adventures, April 1944)

Art by Robert Gibson Jones
Art by Robert Gibson Jones

Jongor Fights Back (Fantastic Adventures, December 1951)

 

Howard Browne

Howard Browne was the next author hired to play ERB. He only produced two novels. He would later become the replacement editor for Ray Palmer.

Art by J. Allen St. John
Art by J. Allen St. John

Warrior of the Dawn (Amazing Stories, December 1942January 1943)

Art by J. Allen St. John
Art by J. Allen St. John

The Return of Tharn (Amazing Stories, October November December 1948)

 

Ray A. Palmer (as J. W. Pelkie)

Tired of waiting on others, Palmer assumed the pseudonym of J. W. Pelkie and wrote his own. Palmer wanted to continue the Tarzan and John Carter series after ERB’s death but was turned down by the writer’s heirs.

Art by Seward
Art by Seward

“Toka, King of the Dinosaurs” (Fantastic Adventures, October 1945)

Art by Walter Parke
Art by Walter Parke

“Toka and the Man Bats” (Fantastic Adventures, February 1946)

Art by Robert Gibson Jones
Art by Robert Gibson Jones

“Toka Fights the Big Cats” (Fantastic Adventures, December 1947)

Art by Vincent Napoli
Art by Vincent Napoli

“In the Sphere of Time” (Planet Stories, Summer 1948)

 

John Taine

Pen name of Eric Temple Bell, Taine’s first novels were all lost race pieces. Most of these were reprinted by Famous Fantastic Mysteries.

Art by Lawrence
Art by Lawrence

The Purple Sapphire (1924) was reprinted in Famous Fantastic Mysteries, August 1948

Artist Unknown
Artist Unknown

The Gold Tooth (1927)

Art by Lawrence
Art by Lawrence

The Greatest Adventure (1929) was reprinted in Famous Fantastic Mysteries, June 1944

 

E. Charles Vivian

Vivian wrote under his own name and the Gees series as Jack Mann.

Art by Lawrence
Art by Lawrence

The Valley of the Silent Men (1923) (aka Fields of Sleep)by E. Charles Vivian reprinted in Famous Fantastic Mysteries August 1949

Artist Unknown
Artist Unknown

The People of Darkness (1924)

 

Don Wilcox

Wilcox was one of Ray Palmer’s regulars. Sometimes he wrote of lost lands when he wasn’t writing about outer space.

Art by Margarian
Art by Margarian

“Queen of the Living Puppets” (Fantastic Adventures, October 1941)

Art by Robert Gibson Jones
Art by Robert Gibson Jones

“The Ice Queen” (Fantastic Adventures, January 1943)

Art by Robert Gibson Jones
Art by Robert Gibson Jones

“Princess of the Sea” (Fantastic Adventures, January 1947)

 

Singles

Mary Gnaedinger at Famous Fantastic Mysteries, a reprint Pulp, loved the lost lands. They were usually novel-length and she could pick from the best of the Argosy years. These stories were usually illustrated by Virgil Finlay or Lawrence Sterne Stevens.

Art by Frank R. Paul
Art by Frank R. Paul

“Sunken Cities” (Munsey’s Magazine, October 1923) by Douglas Newton reprinted in Famous Fantastic Mysteries May-June 1940

Art by Virgil Finlay
Art by Virgil Finlay

The Golden City (Argosy, May 13-June 17,1933) by Ralph Milne Farley

Art by Lawrence
Art by Lawrence

Dian of the Lost Land (1935) by Edison Marshall, reprinted in Famous Fantastic Mysteries April 1949

Art by Norman Saunders
Art by Norman Saunders

The Smoking Land  (Argosy, May 29-July 3, 1937) by Frederick Schiller Faust (aka Max Brand writing as George Challis)

Art by Harry Ferman
Art by Harry Ferman

“The Mound” (Weird Tales, November 1940) by H. P. Lovecraft and Zelia Bishop

Art by Earle K. Bergey
Art by Earle K. Bergey

The Valley of the Flame (Startling Stories, March 1946) by Keith Hammond (Henry Kuttner and C. L. Moore)

Art by Harold W. McCauley
Art by Harold W. McCauley

“Goddess of the Golden Flame” by William P. McGivern (Fantastic Adventures, July 1947)

Art by Vincent Napoli
Art by Vincent Napoli

“Shallajai” (Weird Tales, July 1950) by Arthur J. Burks

Conclusion

When we think of lost worlds we almost always go to Haggard’s King Solomon’s Mines, Allan Quatermain or She, then perhaps others like Verne’s Journey to the Centre of the Earth, or The Village in the Treetops then others and finally Doyle’s Lost World. The Pulps followed shortly after and supplied plenty of new adventures that are often not as well-remembered. The Pulpsters, especially Edgar Rice Burroughs, A. Merritt and Francis Stevens, wrote classics worthy to stand beside the Victorian masters. Many other Pulpsters weren’t as original but provide entertaining thrills worthy of a Sunday afternoon off.

 

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3 Comments Posted

  1. Impressive post. Just curious, outside of Burroughs, what would be your top three book recommendations from this list?

    • Highly subjective answer: Merritt’s Dwellers in the Mirage, Jack Williamson’s Golden Blood and anything by Edmond Hamilton. The mock Burroughs doesn’t really work for me.

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