Art by A. Drake

Donald A. Wollheim Part 1: 1934-1945

When you say the name “Donald A. Wollheim” you have to say which one you are referring to. Is it the force behind ACE Books or the creator and publisher of DAW Books? Or the Avon editor who tried to combine comics and Pulps? Or the editor of The Avon Fantasy Reader?  Is it the editor who published the unauthorized edition of The Lord of the Rings and created the modern fantasy boom? Is it the fanzine editor who published H. P. Lovecraft, C. L. Moore, Robert E. Howard, A. Merritt and Frank Belknap Long? Is it the editor without any budget who cobbled together Pulps with the help of the Futurians? Or is it the writer who so often appeared under a pseudonym like Martin Pearson, Millard Verne Gordon or Lawrence Woods? Donald A. Wollheim was all of them in his career spanning over fifty years.

Here we are going to focus on the last of these DAWs: the writer. Often writing for his own magazines, he chose to hide behind a nom de plu, though it should be pointed out his very first stories for Hugo Gernsback bore his real name and that his “Martin Pearson”

1934

Art by Frank R. Paul

“The Man From Ariel” (Wonder Stories, January 1934)

1935

Art by Frank R. Paul

“The Space Lens” (Wonder Stories, September 1935) as Millard Verne Gordon

1936

Art by Clay Ferguson Jr.

“Umbriel” (Fanciful Tales of Time and Space, Fall 1936)

1937

“Picture of a Young Man With Vision” (The Phantagraph, 1937)

1940

Art by Hannes Bok

“Castaway” (Super Science Stories, May 1940)

Art by Alexander Leydenfrost

“The Planet That Time Forgot” (Planet Stories, Fall 1940)

Artist Unknown

“The Haters” (Unknown, October 1940)

Art by Angus Dun

“The Outpost at Altark” (Super Science Stories, November 1940) as Robert W. Lowdnes

1941

Artist Unknown

“Bones” (Stirring Science Stories, February 1941)

Artist Unknown

“Strange Return” (Stirring Science Stories, February 1941) as Lawrence Woods

Artist Unknown

“Cosmos Eye” (Science Fiction Quarterly, Spring 1941)

Art by Leo Morey

“The Man From the Future” (Cosmic Stories, March 1941)

“Purple Dandelions” (Cosmic Stories, March 1941) as Millard Verne Gordon

Art by John Giunta

“The Planet of Illusion” (Comet Stories, March 1941) as Millard V. Gordon

Art by David A. Kyle

“The Martians Are Coming” (Cosmic Stories, March 1941) with C. M. Kornbluth and Robert A. W. Lowdnes as Robert W. Lowdnes

Lowdnes provided the idea, Kornbluth wrote most the text with Wollheim supplying the ending.

 

Artist Unknown

“!!!” (Stirring Science Stories, April 1941) as X

Art by Hannes Bok

“Black Flames” (Stirring Science Stories, April 1941) with Robert A. W. Lowdnes as Lawrence Woods

Art by Roy Hunt

“Blueprint” (Stirring Science Stories, April 1941)

Art by Roy Hunt

“Cosmophobia” (Stirring Science Stories, April 1941) as Millard Verne Gordon

Art by Hannes Bok

“The World on the Edge of the Galaxy” (Science Fiction Quarterly, Summer 1941)

Art by Hannes Bok

“Earth Does Not Reply” (Stirring Science Stories, Summer 1941) with John B. Michel as Lawrence Woods

Art by Hannes Bok

“The Colossus of Maia” (Cosmic Stories, July 1941) with Robert A. W. Lowdnes as Lawrence Woods

Art by John Forte Jr.

“A Million Years and a Day” (Future Fiction, August 1941) as Lawrence Woods

Art by Frank R. Paul

“Revolving World” (Science Fiction, September 1941) as Millard Verne Gordon

Art by Hannes Bok

“Pogo Planet” (Future Combined with Science Fiction, October 1941) as Martin Pearson

Art by Wilf Long

“The Hat” (Uncanny Tales, November 1941)

Art by Hannes Bok

“Destiny World” (Future Combined with Science Fiction, December 1941) as Martin Pearson

Art by Damon Knight

“Baby Dreams” (Science Fiction Quarterly, Winter 1941-1942) as Allen Warland

1942

“All Out” (The Phantagraph, 1942) as Karl Valons

Art by Bick

“The Growing Terror” (Uncanny Tales, January 1942)

Art by Wilf Long

“The Drums of Reig Rawan” (Uncanny Tales, February 1942)

Art by Milton Luros

“Bomb” (Science Fiction Quarterly, Winter 1942) as Millard Verne Gordon

Art by Hannes Bok

“Blind Flight” (Stirring Science Stories, March 1942) as Millard Verne Gordon

Art by Hannes Bok

“The Unfinished City” (Stirring Science Stories, March 1942) as Martin Pearson (reprinted in Uncanny Tales, December 1942 as “The God of Oo” by Allen Warlard)

Art by Paul Orban

“The Embassy” (Astounding Science-Fiction, March 1942) as Martin Pearson

Artist Unknown

“Mye Dye” (Future Combined with Science Fiction, April 1942) as Martin Pearson

Art by Frank R. Paul

“The World in Balance” (Future Combined with Science Fiction, June 1942) as Millard Verne Gordon

Art by John B. Musacchia

“Up There” (Science Fiction Quarterly, Summer 1942) as Martin Pearson

Art by John Forte Jr.

“Ajax of Ajax” (Future Combined with Science Fiction, August 1942)

Artist Unknown

“Planet Passage” (Future Fantasy and Science Fiction, October 1942) as Martin Pearson

Art by Hannes Bok

“Saknarth” (Science Fiction Quarterly, Spring 1942) as Millard Verne Gordon

Art by Hannes Bok

“The Hidden Conflict” (Science Fiction Quarterly, Fall 1942) as Martin Pearson

Art by John B. Musacchia

“Nothing” (Astonishing Stories, October 1942) as Martin Pearson

Art by Damon Knight

“Storm Warning” (Future Combined with Science Fiction, October 1942) as Millard Verne Gordon

Art by John Giunta

“The Planet Called Aquella” (Super Science Stories, November 1942) as Martin Pearson

Artist Unknown

“Mimic” (Astonishing Stories, December 1942) as Martin Pearson

Art by K. P. Ainsworth

“The Coming of the Comet” (Uncanny Tales, December 1942)

Art by Damon Knight

“The Key to the Black Planet” (Future Fantasy and Science Fiction, December 1942) as Martin Pearson

Art by Hannes Bok

“The Oomph Beasts” (Future Fantasy and Science Fiction, December 1942) as Millard Verne Gordon

1943

“The Booklings” (The Phantagraph, 1943)

Art by Damon Knight

“The Second Satellite” (Future Fantasy and Science Fiction, January 1943) as Martin Pearson

Art by Hannes Bok

“The Millionth Year” (Science Fiction Stories, April 1943) as Martin Pearson

Art by K. P. Ainsworth

“The Unholy Glass” (Uncanny Tales, September-October 1943)

1945

“Still Life”

Next time…the 1950s!

 

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3 Comments Posted

  1. Great selection of images, especially the Bok.
    I knew Wollheim had written a few stories at this time (I’ve read SSS, March 1942) but didn’t realise there were so many.

  2. Does anyone know which magazine (pulp) my dad edited that had Philip K. Dick’s first published story in it? It had my dad’s name as editor on the cover. Phil showed it to me one time when I visited him at his apartment in LA. I didn’t write down the details (I was too shy at the time, and Phil pulled me to the bookcase to show it to me when I was barely in the door.) I’d love to know which pulp that was.
    thanks,
    Betsy Wollheim

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