Art by Jack Coggins
Art by Jack Coggins

J. W. Groves: A Quiet Voice in a Loud Room

John William Groves (1910-1970) was a quiet voice in a loud room. That room is Science Fiction. Publishing a dozen stories sporadically over four decades. He once wrote of himself: “I’ve had no career. Just jobs. And, occasionally, short story sales to the magazines. I switched to novels about the end of 1967.” He mentions he married Edith Winterbourne and they have no children.

Art by Leo Morey
Art by Leo Morey

His first publication was “The Sphere of Death” (Amazing Stories, October 1931) for T. O’Connor Sloane. Groves would have been 21 at the time. The experience must have been underwhelming because he didn’t publish another thing until almost two decades later. Of the story E. F. Bleiler called it “…a trite idea, but well handled as a thriller.” (Science-Fiction: The Gernsback Years, 1998).

Art by Bob Clothier
Art by Bob Clothier

His return came with the end of the Pulp era in the 1950s. But first he appeared in the British magazine New Worlds #8, Winter 1950 with “Robots Don’t Bleed”. This was his only British sale, which is odd since he was from the UK and John Carnell’s magazine was a big deal. The story was reprinted twice in No Place Like Earth (1952) and The Best of New Worlds Science Fiction (1955) both edited by Carnell.

Artist Unknown
Artist Unknown

“Regrowth” (Startling Stories, January 1950) was the beginning of an American spree. His run in 1953 is probably the closest he ever came to writing SF full-time.

Art by Brush
Art by Brush

“Cygnian Harvest” (Astounding Science-Fiction, January 1951) Groves was able to sell to John W. Campbell (though admittedly during the Dianetics craze when many of his regulars jumped ship.)

Artist Unknown
Artist Unknown

“Hospitality” (Planet Stories, September 1951)

Art by Vincent Napoli
Art by Vincent Napoli

“Thin End” (Fantastic Story Quarterly, Spring 1952)

Artist Unknown
Artist Unknown

 

“Upon the Stair” (Thrilling Wonder Stories, June 1953)

Art by Emsh
Art by Emsh

“Green-Eyed Monster” (Thrilling Wonder Stories, August 1953)

Artist Unknown
Artist Unknown – Frank Kelly Freas?

“Where Sex Met Space” (Planet Stories, September 1953) Much of Groves’ work centers around a romantic relationship with this story title the most blatant.

Art by Herman Vestal
Art by Herman Vestal

“Password” (Planet Stories, November 1953)

Art by Frank Kelly Freas
Art by Frank Kelly Freas

“Hoydens Aweigh!” (Planet Stories, May 1954)

Art by Cowles
Art by Cowles

After 1954, Groves disappears again until “The Sincerest Form” (Galaxy, June 1964). This may have been a warm-up for his novels published with Robert Hale.

Art by Barbara Walton
Art by Barbara Walton

Shellbreak (1968) is a time travel novel in which a man sleeps to awaken in a future world where his knowledge will topple the cruel regime that holds the populace. It was followed by The Heels of Achilles (1969), a book about what happens when the dead mysterious come back from the dead.

Groves passed away in 1970 at the age of sixty. His works are little remembered, having been little celebrated while alive, he is a good example of the dedicated Science Fiction writer who embraced the “a walking stick, not a crutch” ideal.