Artist unknown

More Golden Age Robots II

If you missed the last one…

Otto Binder

The Golden Age was truly the golden age of robot comics. The reason for this was the World’s Fair of 1939. The robot made a splash that year that reverberated through out all media. The comics more so than anyone. They threw out all kinds of tin-plated beings, some good, some bad. Since most comics in 1939 were based on the old reprint magazines, they all had multiple characters covering a variety of tropes: the jungle comic, the Western comic, the nautical comic, etc. Robot characters were a thing after 1939. Marvel tried out a bunch of them with Flexo the Rubber Man this time around. Eventually they would settle on Robotman. Doc Savage Comics tried Trix but only the one time. Any number of superheroes faced off against the metal menaces with the Marvel Family, Wonder Woman, Captain Midnight, etc. For DC, it was the anthology comic Strange Adventures with numerous tales by Otto Binder, that creator of Adam Link, at it again. (It would be fun to do a round-up post on all of Otto’s robot comics. The list is long.)

Just a reminder, this post only features “tin robots” of around human size. For giant robots, go here. I have tried to list the authors where possible but the Golden Age was a time when such credits were often forgotten or ignored.

1940s

Art by Jack Binder and E. C. Stoner

“Introducing Flexo the Rubber Man” (Mystic Comics, #1-4, March-July 1940)  This first appearance was written by William Harr.

Artist unknown

“Trix He Rubs Out Crime” (Doc Savage Comics #4, May 1941)

Art by Leonard Frank

“Metal Monster!” (Captain Midnight #38, March 1946)

Artist unknown

“The Marvel Family and the Shazam Robot” (The Marvel Family #5, October 1946) was written by Otto Binder.

Art by Vernon Hayles

Man Out of Space, 1947 was written and drawn by Vernon Hayles.

Art by Kurt Schaffenberger

“Neptune’s Freak Show” (Marvel Family #27, September 1948) was written by Bill Woolfolk.

Art by Bud Thompson

“The Rich Robot” (Captain Marvel Jr. #73, May 1949) was written by Otto Binder.

Artist unknown

“Torchy” (Torchy #1, November 1949)

Art by Otto Feur

“The Dodo and the Frog” (Funny Stuff #51, November-December 1949)

1950s

Art by Harry Peter

“Hollywood Goes to Paradise Island” (Wonder Woman #40, March-April 1950) was written by Robert Kanigher.

Artist unknown

“The Adventure in Robot Paradise” (Marvel Family #46, April 1950) was written by Otto Binder.

Art by George Papp

“The Amazing Jungle of Robot Menace” (Adventure Comics #152, May 1950) was written by Ed Herron.

Artist unknown

“Robot Trouble” (Foodini #3, May 1950)

Art by Bud Thompson

“The Robot Farmer” (Captain Marvel Jr. #87, July 1950) was written by Otto Binder.

Art by Harvey Kurtzman

“Henry and His Goon-Child” (Weird Fantasy #15, September-October 1950) was written and drawn by Harvey Kurtzman.

Art by Al Feldstein

Art by Jack Kamen

“The Eternal Man” (Weird Science #14, September-October 1950) was written by Al Feldstein.

Art by Bud Thompson

“Dr. Sivana’s Friendly Robot” (Captain Marvel Jr. #93, January 1951) was written by Bill Woolfolk.

Art by Ross Andru

“The Menace of R Day” (Weird Thrillers #1, September-October 1951)

Art by Carmine Infantino and Joe Giella

“Challenge of the Robot Knight!” (Mystery in Space #7, April-May 1952) was written by Robert Kanigher as Dion Anthony.

Art by Howard Nostrand

“Hector Protector” (Witches Tales #22, December 1953)

Art by Joe Certa

“The Robot Sailors” (Detective Comics #216, February 1954) was written by Otto Binder.

Art by Gene Colan

“Into the Fourth Dimension” (Mystery Tales #18, March 1954)

Art by Carmine Infantino and Sy Barry

“The Robot Detective of Mars” (Mystery in Space #19, April-May 1954)

Art by Bill Benulis and Jack Abel

“The Monster Men” (Mystic #30, May 1954) was written by Paul S. Newman.

Art by Jack Abel

“The Rejected Robot” (Mystery Tales #22, October 1954)

Conclusion

The robots of Science Fiction certainly ended up in the comics. This was partly because of writers like Otto Binder, Manly Wade Wellman, Edmond Hamilton and Gardner F. Fox wrote both Pulps and later comics. The editors, like Julius Schwartz and Mort Weisinger, started off as Pulp editors. New writers recycled their ideas and even came up with some of their own as well. The robot as estranged being, a descendant of Mary Shelley’s Frankenstein’s monster, is a common thread. Robots have it hard and must find their place in the world. They can impersonate humans and take us into Philip K. Dick territory. I haven’t focused much on robots that look like humans because they are less interesting visually. There is something about the tin robot that speaks to me while all those Superman stories where a robot fools Lois Lane bore me to tears. (It worked once but over and over?) Give me a tin robot every time.

 

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