Art by Gil Kane and Dick Giordano

Gulliver’s Covers

Gulliver’s Travels (1726) by Jonathan Swift is a classic that is rarely appreciated beyond its adventure roots. Swift’s satire pokes fun at politics, science, technology, philosophy and basic human nature. It is a deep book worthy of re-reading many times. When you first encounter it, perhaps as a child, it is a fun adventure story, much like a fairy tale. Most likely you stopped reading it after the second portion, that of the giants of Brobdingnag, where Gulliver reverses roles after his visit to Lilliput. The third section pokes fun at the Royal Society and its fascination with Science. The last and most philosophical portion features the Houyhnhnm, intelligent horses. That section gave us the word “Yahoo” to describe a course and unintelligent person.

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Art by Phillipe Auzou

Now it should be no surprise that most films, television shows and comics about Gulliver usually don’t get much past the adventure elements. The George Pal movie features stunning (for the time) effects with giant and small people together on the screen. (All the fun bits, like Gulliver putting out the castle fire by urinating on it, are removed for younger folks.) More modern versions have usually only featured the first half of the book, such as the 2010 Jack Black vehicle.

Comics have adapted the story from the Golden Age on, with Gilberton and their Classics Illustrated #16 starting things off in June 1949. Marvel did a splendid job with Marvel Classic Comics #6 Gulliver’s Travels (1976) The E. R. Cruz artwork is always welcome. Many European comics have adapted the story, with Bastei Verlag of Germany turning Gulliver into something of a superhero. Heavy Metal and other adult comics have also exploited the possibilities of the story.

The comics cover usually focus on specific scenes from the book: Gulliver tied up, Gulliver pulling the ships, and big and small people together. DC Comics have used the “Gulliver being tied” theme for their own versions of the story. Edgar Rice Burroughs borrowed the idea for his Tarzan and the Ant Men (1924). Tarzan gets to be both a giant and a tiny person in the novel.

Gulliver Tied Up

Artist unknown
Art by Giancarlo Alessandrini
Art by Wayne Boring and Stan Kaye
Art by Curt Swan and Stan Kaye
Art by Dick Giordano
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Art by Bob Brown
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Art by Milo Manara

Gulliver Pulling the Ships

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Artist unknown
Art by Antonio Bernal
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Artist unknown
Artist unknown
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Art by Cynthia Martin and Benny Fuentes

Big and Small People Together

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Art by Lillian Chesney
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Artist unknown
Artist unknown
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Photo of Kerwin Mathews
Art by Tarpe Mills
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Artist unknown
Art by various artists
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Art by Bo Hampton
Art by Vicente Roso
Artist unknown

Tarzan and the Ant Men

Art by George Wilson
Art by Rich Buckler and Bob McLeod
Art by Russ Manning